Shiloh Dynasty – Tell Me Why Im Waiting Chord Progression on Piano, Guitar, Ukulele and Keyboard.

Shiloh Dynasty – Tell Me Why Im Waiting Chord Progression on Piano, Guitar, Ukulele and Keyboard.

ChordsEm7BmF#m

Key
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This is the chord progression of Shiloh Dynasty – Tell Me Why I’m Waiting chord progression on piano, guitar, ukulele and keyboard.

[Chords]
Em7 Bm F#m
e|–7–|–7–|—9–|
B|–8–|–7–|–10–|
G|–7–|–7–|–11–|
D|–9–|–7–|–11–|
A|–7–|–x–|—9–|
E|–x–|–7–|—x–|

[Chorus]
Em7                     Bm
Tell me why I’m waiting
F#m                                                Em7
For someone that doesn’t give a fck about me
Em7
Nooo you wouldn’t like that

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How to play Tell Me Why Im Waiting: key, chords and progression

Tell Me Why Im Waiting by Shiloh Dynasty is centred on E minor (one sharp: F♯). The song uses 6 chords: Em7, Bm, F#m, B, G and D.

The progression the song keeps returning to is Em7 – Bm – F#m (i7 – v – ii in E minor). Learn these 3 changes first and most of the song falls into place.

Easier on guitar: put a capo on the 2nd fret and play the shapes Dm7, Am, Em, A, F, C (83% of the chords become easy open shapes, against 50% without a capo). It sounds exactly the same.

Chord diagrams

Em7 chord on guitar (020000)
Em7E G B D
Bm chord on guitar (x24432)
BmB D F♯
F#m chord on guitar (244222)
F♯mF♯ A C♯
B chord on guitar (x24442)
BB D♯ F♯
G chord on guitar (320003)
GG B D
D chord on guitar (xx0232)
DD F♯ A

Need another chord or a different shape? Feel free to use our free Chord Shape Generator.

Tell Me Why Im Waiting chords: questions

What key is Tell Me Why Im Waiting in?

Tell Me Why Im Waiting by Shiloh Dynasty is centred on E minor (one sharp: F♯).

What chords are in Tell Me Why Im Waiting?

Tell Me Why Im Waiting uses 6 chords: Em7, Bm, F#m, B, G, D.

What is the chord progression of Tell Me Why Im Waiting?

The main progression is Em7 – Bm – F#m (i7 – v – ii).

Is Tell Me Why Im Waiting easy to play on guitar?

Yes, with a capo: put a capo on the 2nd fret and play the shapes Dm7, Am, Em, A, F, C (83% of the chords become easy open shapes, against 50% without a capo).

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