This is the chord progression of She Works Out Too Much by MGMT on Piano, Guitar, Ukulele and Keyboard.
[Intro] D7GmC/Gx3 D7C#m7Cm7
[Verse] A#maj7
Don’t take it the wrong way F#G#
I can never keep up A#maj7
Sick of liking your selfies F#G#
Should’ve gone with my gut A#maj7
Maybe I’m in a movie F#G#
Maybe I’m out to lunch A#maj7
But I’m constantly swiping it, tapping F#G#
It’s never relaxing, I need a new rou-
[Chorus] A#m7DmD#m7
tine (She works out too much) A#maj7DmD#
The only reason we never worked out was, he didn’t work out A#m7DmD#m7
(He’s trying) (She works out too much) A#maj7DmD#
The only reason we never worked out was, he didn’t work out enough
[Middle] A#D#
[Intro Repeat] D7GmC/Gx3 D7C#m7Cm7
For corrections please use the comment box below.
How to play She Works Out Too Much: key, chords and progression
She Works Out Too Much by MGMT keeps coming home to B♭ major (two flats: B♭, E♭). You need 13 chords: D7, Gm, C/G, C#m7, Cm7, A#maj7, F#, G#, A#m7, Dm, D#m7 and D# and 1 more.
Listen for A#maj7 – F# – G# – A#maj7 (Imaj7 – ♭VI – ♭VII – Imaj7 in B♭ major): the song comes back to it again and again. Once these 4 changes are comfortable, most of the song is done.
Easier on guitar: put a capo on the 1st fret and play the shapes C#7, F#m, B, Cm7, Bm7, Amaj7, F, G, Am7, C#m (46% of the chords become easy open shapes, against 23% without a capo). It sounds exactly the same.
Need another chord or a different shape? Feel free to use our free Chord Shape Generator.
She Works Out Too Much chords: questions
What key is She Works Out Too Much in?
She Works Out Too Much by MGMT is centred on B♭ major (two flats: B♭, E♭).
What chords are in She Works Out Too Much?
She Works Out Too Much uses 13 chords: D7, Gm, C/G, C#m7, Cm7, A#maj7, F#, G#, A#m7, Dm, D#m7, D# and 1 more.
What is the chord progression of She Works Out Too Much?
The main progression is A#maj7 – F# – G# – A#maj7 (Imaj7 – ♭VI – ♭VII – Imaj7).
Is She Works Out Too Much easy to play on guitar?
Yes, with a capo: put a capo on the 1st fret and play the shapes C#7, F#m, B, Cm7, Bm7, Amaj7, F, G, Am7, C#m (46% of the chords become easy open shapes, against 23% without a capo).
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