[Intro]F#m7Gmaj7F#m7A7F#m7Gmaj7F#m7A7[Verse]F#m7Gmaj7
After the sunrise (Sunrise)
F#m7A7
Our love don't have to wake
up if we stand still
F#m7Gmaj7
After the sunrise
F#m7A7
Our love don't have to wake up,
wake up (Wake up, wake up)
F#m7Gmaj7
Come on and don't say maybe
when I say, "Girl, come on"
F#m7A7
We could do somethin' crazy we
never did before
F#m7
Don't let your bones get lazy,
Gmaj7
I know you got so much more
F#m7
No better, but you say, "Make me"
A7
When I say, "Stay with me"
F#m7Gmaj7
I still see your bottom in the dark
F#m7A7
It's easy, I just use my hands (Ow!)
F#m7Gmaj7
And I don't evеn need to know inside
F#m7A7
I know just by the way you dance
Feel free to use our free Chord Shape Generator to see every chord in this song on guitar, ukulele and piano.
How to play Stay with Me (Part 2): key, chords and progression
These are the chords for Stay with Me (Part 2) by Calvin Harris ft. Justin Timberlake, Halsey and Pharrell Williams on Piano, Ukulele, Guitar, and Keyboard
Stay with Me (Part 2) by Calvin Harris ft. Justin Timberlake, Halsey and Pharrell Williams is in the key of D major (two sharps: F♯, C♯). The song uses 3 chords: F#m7, Gmaj7 and A7.
Most of the song cycles through F#m7 – Gmaj7 – F#m7 – A7 (iii7 – IVmaj7 – iii7 – V7 in D major). In solfa, that is mi – fah – mi – soh. Get these 4 changes smooth and the rest comes quickly.
Easier on guitar: put a capo on the 2nd fret and play the shapes Em7, Fmaj7, G7 (100% of the chords become easy open shapes, against 67% without a capo). It sounds exactly the same.
Stay with Me (Part 2) by Calvin Harris ft. Justin Timberlake, Halsey and Pharrell Williams is in the key of D major (two sharps: F♯, C♯).
What chords are in Stay with Me (Part 2)?
Stay with Me (Part 2) uses 3 chords: F#m7, Gmaj7, A7.
What is the chord progression of Stay with Me (Part 2)?
The main progression is F#m7 – Gmaj7 – F#m7 – A7 (iii7 – IVmaj7 – iii7 – V7).
Is Stay with Me (Part 2) easy to play on guitar?
Yes, with a capo: put a capo on the 2nd fret and play the shapes Em7, Fmaj7, G7 (100% of the chords become easy open shapes, against 67% without a capo).
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