Miley Cyrus – Bright Minded Piano & Ukulele Chord Progression and Tab

Miley Cyrus – Bright Minded Piano & Ukulele Chord Progression and Tab

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This is the chords of Bright Minded by Miley Cyrus on Piano, Ukulele, Guitar and Keyboard.

A                                                            Bm
If you wanna be Bright Minded, there’s just one place to go
E                                                                                A
When you’re stuck at home, and the time is ticking slow
D                            A                            Bm         E                            A
Monday through Friday, live with Miley on my Instagram show
Bm                A                E             A
(On my Instagram Shooooooow)
D                             A
Stay lit everybody

How to play Bright Minded: key, chords and progression

Bright Minded by Miley Cyrus is centred on A major (three sharps: F♯, C♯, G♯). The song uses 4 chords: A, Bm, E and D.

The progression the song keeps returning to is A – Bm – E – A (I – ii – V – I in A major). In solfa, that is doh – reh – soh – doh. Learn these 4 changes first and most of the song falls into place.

Easier on guitar: put a capo on the 2nd fret and play the shapes G, Am, D, C (100% of the chords become easy open shapes, against 75% without a capo). It sounds exactly the same.

Chord diagrams

A chord on guitar (x02220)
AA C♯ E
Bm chord on guitar (x24432)
BmB D F♯
E chord on guitar (022100)
EE G♯ B
D chord on guitar (xx0232)
DD F♯ A

Need another chord or a different shape? Feel free to use our free Chord Shape Generator.

Bright Minded chords: questions

What key is Bright Minded in?

Bright Minded by Miley Cyrus is centred on A major (three sharps: F♯, C♯, G♯).

What chords are in Bright Minded?

Bright Minded uses 4 chords: A, Bm, E, D.

What is the chord progression of Bright Minded?

The main progression is A – Bm – E – A (I – ii – V – I).

Is Bright Minded easy to play on guitar?

Yes, with a capo: put a capo on the 2nd fret and play the shapes G, Am, D, C (100% of the chords become easy open shapes, against 75% without a capo).

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