Apr232018

Lord Huron – Lost In Time And Space Piano & Ukulele Chord Progression

ChordsE C#m A B

KeyKeyCapo

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This is the chord progression of Lost In Time And Space by Lord Huron on Piano, Guitar, Ukulele and Keyboard.

[Intro]
E

[Verse 1]
E
Lost in time and space
C#m A E
Aimless drifting in a far off place
E
Hurtling through the vast unknown
C#m A E
Staring straight into the pure, black void
B
Drowning in the sea of stars
C#m A E
Lost in a galaxy of cocktail bars
B
Blinded by the neon lights
C#m A E
I lie awake and say your name into the night

[Verse 2]
E
I guess she’s gone for good
C#m A E
She don’t call me like I thought she would
E
She went west to chase her dreams
C#m A E
She took my money, but she didn’t take me
B
Why go wander unknown worlds?
C#m A E
Stay right here and let the cosmos twirl
B
Blind without her source of light
C#m A E
I light a flame and say her name into the night

[Chorus]
E E
I don’t know who I am, I don’t know where I am

[Verse 3]
E
Lost in time and space
C#m A E
Aimless searching for a long lost face
E
Haven’t got a thing to lose
C#m
If I don’t find her, gonna tie that noose
B
I quit my job and packed my car
C#m A E
Left in a hurry, and I’ve sure come far
B
Driving fast with no headlights
C#m A E
I’m wide awake, I say her name into the night
C#m A E
Oh, I’ll find a way, I say your name into the night

[Chorus]
E E
I don’t know who I am, I don’t know where I am
E E
I don’t know who I am, I don’t know where I am
E E
I don’t know who I am, I don’t know where I am
E E
I don’t know who I am, I don’t know where I am

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How to play Lost In Time And Space: key, chords and progression

Lost In Time And Space by Lord Huron is centred on E major (four sharps: F♯, C♯, G♯, D♯). The song uses 4 chords: E, C#m, A and B.

The progression the song keeps returning to is E – C#m – A – E (I – vi – IV – I in E major). In solfa, that is doh – lah – fah – doh. Learn these 4 changes first and most of the song falls into place.

Easier on guitar: put a capo on the 2nd fret and play the shapes D, Bm, G, A (75% of the chords become easy open shapes, against 50% without a capo). It sounds exactly the same.