This is the chord progression of This Is What Having A Massive Crush On Someone Feels Like chords by Clinton Kane on Piano, Ukulele, Guitar and Keyboard.
BG#mEF# B
i don’t really know you I can’t
find a reason why my heart is out of my chest G#m
the morning that I saw two angry people
i knew that I couldn’t forget E
everything I went thru F#
led me to say that I still wouldn’t settle for less B
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B
i miss my conversations
with the moon G#m
but we’d always end up talking about you E
those table reservations
so tired of sitting alone in the corner on end F#
my silly expectation B
for thinking that you would go further than what we call next
B
i wish you would just notice all the glances you would take G#m
through the hoard of tasteless people all those brooms swept them away E
all my force stuck on this table and these orange metal plates F#B
till my mind finds the courage theres none that I can do
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B
we aren’t even dating and we never will be G#m
but somehow you ruin my life anyway and that scares me E
it scares me up to the point that I’m thinkin how F#
someone lives in my basement
over me and my body B
by being themselves
B
i wish you would just notice all the glances you would take G#m
through the hoard of tasteless people all those brooms swept them away E
all my force stuck on this table and these orange metal plates F#B
till my mind finds the courage theres none that I can do
B
take all that you want from me cause I have nothing left G#m
to give you with security I swear I couldn’t let E
the thought of you escape the realm that I have sworn F#B
till my mind finds the courage theres none that I can do
How to play This Is What Having A Massive Crush On Someone Feels Like: key, chords and progression
To play This Is What Having A Massive Crush On Someone Feels Like by Clinton Kane, think in B major (five sharps: F♯, C♯, G♯, D♯, A♯). It takes 4 chords: B, G#m, E and F#.
Listen for B – G#m – E – F# (I – vi – IV – V in B major), the classic 1950s “doo-wop” progression: the song comes back to it again and again. In solfa, that is doh – lah – fah – soh. Once these 4 changes are comfortable, most of the song is done.
Easier on guitar: put a capo on the 4th fret and play the shapes G, Em, C, D (100% of the chords become easy open shapes, against 25% without a capo). It sounds exactly the same.
