Armaan Malik – Bekhayali Piano & Ukulele Chord Progression and Tab

Armaan Malik – Bekhayali Piano & Ukulele Chord Progression and Tab

ChordsAmDmFG

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This is the chord progression of Bekhayali by Armaan Malik on Piano, Ukulele, Guitar and Keyboard.

[Intro]
Am Dm F G
Am Dm F G

[Verse]
Am                           Dm
Bekhayali mein bhi tera
F                      G
hi khayaal aaye,
Am                                Dm
kyun bichadna hai zaroori
F                      G
ye sawaal aaye,

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[Chorus]
Am                      Dm
Bekhayali mein bhi tera
F                      G
hi khayaal aaye,
Am                                Dm
kyun bichadna hai zaroori
F                      G
ye sawaal aaye,

F            Dm            F            Dm
Teri nazdeekiyon ki khushi
F G
behisaab thi
F Dm F Dm
hisse mein faasle… hi tere
F Am
bemisaal aaye

[Outro]
Am Dm F G
Am Dm F G

How to play Bekhayali: key, chords and progression

To play Bekhayali by Armaan Malik, think in A minor (no sharps or flats). It takes 4 chords: Am, Dm, F and G.

Listen for Am – Dm – F – G (i – iv – VI – VII in A minor): the song comes back to it again and again. Once these 4 changes are comfortable, most of the song is done.

Easier on guitar: put a capo on the 5th fret and play the shapes Em, Am, C, D (100% of the chords become easy open shapes, against 75% without a capo). It sounds exactly the same.

Chord diagrams

Am chord on guitar (x02210)
AmA C E
Dm chord on guitar (xx0231)
DmD F A
F chord on guitar (133211)
FF A C
G chord on guitar (320003)
GG B D

Need another chord or a different shape? Feel free to use our free Chord Shape Generator.

Bekhayali chords: questions

What key is Bekhayali in?

Bekhayali by Armaan Malik is in the key of A minor (no sharps or flats).

What chords are in Bekhayali?

Bekhayali uses 4 chords: Am, Dm, F, G.

What is the chord progression of Bekhayali?

The main progression is Am – Dm – F – G (i – iv – VI – VII).

Is Bekhayali easy to play on guitar?

Yes, with a capo: put a capo on the 5th fret and play the shapes Em, Am, C, D (100% of the chords become easy open shapes, against 75% without a capo).

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